The big rolling turd
No cinema visits this week, though this is set to change in July.
Bad Boys II (2003)
Another sign of the apocalypse. I now own a film directed by Michael Bay on DVD. I must admit my curiosity was peaked by the reverence accorded it in Hot Fuzz (2007), and then it turned up cheap in HMV’s current sale and I can’t resist a bargain. And so? Much as it pains me to admit it, I quite enjoyed it. It was a decent throwback to the gratuitous violence and plentiful swearing action pictures of the 1990s that we all loved so much until some bunch of twats successfully prevented Hollywood from marketing R-rated movies to kids and forced them down the road of PG-13 with everything. I should point out here that the whole point of the R certificate in the first place (no one under 17 admitted without an adult) was precisely so kids could go to see R-rated movies, and everybody was perfectly happy about the arrangement until aforesaid bunch of twats took umbrage.
Spider-Man 2 (2004)
Also in the HMV sale was the Limited Edition DVD Gift Set of this for £4 (I’m not receiving kickbacks from HMV for plugging them here; in the current climate, they need all the help they can get). I saw it in the cinema and didn’t think it was that great because I thought it possessed absolutely no depth. Once you get past the “with great power comes…” thing, what else is there? Well, there must have been something in the Diet Coke at the cinema because seeing it again on DVD, I liked it a whole lot more, possibly for the soap opera elements than the action sequences.
In Her Shoes (2005)
I find the term “chick flick” really kind of patronising, as if only women were interested in films about characters, emotions and relationships. There was a time when a film like When Harry Met Sally (1989) was known as a “sleeper hit” because 13 year old boys weren’t turning out in droves to see it, and its audience consisted of regular people like you and me, who’d previously been “asleep” when Lethal Weapon 2 (1989) came out to keep the kids happy with the wham bang. The sleeper hit has now, somewhat inevitably, turned into the marketing category of the chick flick, the kind of film girls have to drag their boyfriends kicking and screaming to see. Allegedly.
RV (2006)
One of the best things about a new Barry Sonnenfeld film is the prospect of a new Barry Sonnenfeld DVD commentary. As this generation’s Blake Edwards, the go-to guy when you want a comedy filmed properly on screen, in commentary mode he is the king of the dry delivery. Although there’s nothing new about this film that National Lampoon’s Vacation (1983) et al haven’t done before, it does silly and heartwarming with reasonably equal effectiveness. One thing nobody mentions in either the commentary or the featurettes is that this is Sonnenfeld’s first widescreen movie because the shape of the RV dictated that it be so. The movie’s aspect ratio is part of the joke. That is what I call dry.
Underworld: Evolution (2006)
As a horror fan, I’ve been pissed on by filmmakers and studios for decades. For some reason, unknown to me, if one horror film becomes a hit, say Halloween (1978), the producers decide that what horror fans want is another EIGHT sequels that are more or less complete retreads of the original. Whereas what horror fans like me actually want is another original horror film AS GOOD AS Halloween. Why has this message not got through? Unfortunately, there are enough undiscerning idiots claiming to be horror fans around that there is actually an audience for Sleepaway Camp IV (2002) when the original Sleepaway Camp (1983) was a) no fucking good in the first place, b) made 20 years earlier, and c) a ripoff of Friday the 13th (1980) anyway. Although Underworld (2003) had vampires vs werewolves vs big guns vs a ripoff of the look of The Matrix, what it had in its favour was the right tone: it took its world seriously, and this continues in the sequel.
The Constant Gardener (2005)
After a week of popcorn, I felt the need for a little fibre. Fernando Meireilles proves that Cidade de Deus (2002) wasn’t just a flash in the pan, and that a thriller that tells its story out of chronological order is still possible in modern Hollywood, particularly when directed with the deftness and skill on display here. Everybody brought their A-game to this project, from the off-kilter framing of every shot to the performances of the actors to the producers filiming the story in Kenya where it was set, rather than trying to recreate Kenya in, say, Mexico or Canada. The filmmakers were also affected by the poverty in the areas in which they shot some of the film and actually decided to do something about it:
August 7th, 2007 at 10:37 am
Daniel: The title of this post is a reference to RV - watch it, and you’ll understand.
An interesting mix of movies here: I too can profess to owning a Michael Bay movie - The Rock, which I think is an action classic. No shame. That Spider-man 2 gift set was a fantastic bargain (I almost bought it again) but then again I seem to like the film more than you, as I find it to be one of the best examples of the comic book genre to date.