Ring Ø:The Birthday January 14, 2013Posted by oldboy in : Horror, DVD/Video/T.V., Ring, Asian Cinema, Book to Film, J-Horror , add a comment
‘Ring 0′ リング0 バースデイ is in many ways the most unlike Ring film in the series. It hits scare points of ‘Ring’ and ‘Ring 2′ but it’s less terror and more tragedy. Here Sadako isn’t yet the monster we know from the previous films. Here she is a super sweet, cute girl that has a smile that could evaporate the ocean. Where was i… yes, the monster aspect is there somewhere but Ring 0 plays Sadako as more like Frankenstein’s Creature from the first Universal Frankenstein movie in 1931. Seeing the good Sadako being beaten to death by an angry acting troupe is like watching Frankenstein’s creation trapped in the Windmill being burnt down by an angry Mob who see him as nothing more than a monster.
It’s this innocent, misunderstood Sadako that makes this different to anything we’ve seen before. Even in the books she’s not this nice and has a seductive personality along with a few other “things” that make her very different to the Sadako here. Screenwriter Hiroshi Takahashi does a good job of creating a new back story for Sadako that ties in with the supernatural side of Sadako he created with Ring and Ring 2. Yet he also incorporates the story ‘LemonHeart’ from Suzuki Koji’s novel ‘The Birthday’. Norio Tsuruta does an excellent job of putting it all together onscreen and it’s quite a visual feast of a film that is haunting in a dramatic way. Interesting to note that Norio Tsuruta was suggested by Hiroshi Takahashi as a possible director for Ring.
Why we have two Sadako’s isn’t really explained in the film. We do see some documents in professor Ikuma’s Home relating to it but nothing more is said. It seems to be some kind of Mitosis. The actual explanation is given in a prequel Manga released around the same time as the movie called “The curse of Yamamura Sadako”. In it, little Sadako’s stress over her mothers insanity causes her to split in two, one normal Sadako and one that looks like her father…
Nakama Yukie gives a fantastic performance as Sadako. Butter would not melt in her mouth, folks. Today she can often be seen on varity shows, dramas and TV commericals (sometimes wearing that White Sadako dress)
The best way to enjoy the film is to go into it fresh without any preconceived expectations of getting the same “it’s behind you” feeling that ‘Ring‘ and ‘Ring 2′ gave you. By the end of the film you are definitely on the side of Sadako and ready to be one of her shamblers.
Favorite Quote: “If I could be reborn, even though it violates the will of God himself, I would want to be at your side, with you. If it were all a dream when I awoke, if only you were there.
But the light of morning shows me as I really am.
Still, I want to say..
I love you. ” - Sadako Yamamura
Ring 2 January 6, 2013Posted by oldboy in : Horror, DVD/Video/T.V., Ring, Asian Cinema, J-Horror , add a comment
When I first watched ‘Ring 2′. 10 years ago… I really liked it. It wasn’t as good as ‘Ring’ but I thought it to be a very worthy successor to it and in many ways it was. It was the successful alternate sequel that ‘Rasen’ wasn’t. It kept the tone of the first film and expanded on it with some shit your pants scary scenes but suffers from dragged out scenes and filled with technobable that would make a Star Trek writer proud.
I’ve watched the film quite a few times but over the years I have also read the Novels the films were based on which have expanded the Ring World in my mind. Now, all these years later I start to see some glaring flaws with ‘Ring 2′. The impression I’m left with at the end is that it had a lot of scenes with people standing around looking stupid and then Mai (our heroine) faints. Really. The film consists largely of scenes like this. I was counting the seconds of characters standing there with dumb looks on their faces until the moment that Mai Takano played by Mai Nakatani faints. It seems like a mistake to replace heroine Reiko Asakawa played by Nanako Matsushima from the first film after her strong performance. In general Mai is not only physically weaker but a character with little background, all we really know about her is that she “worked” with Ryuji; Reiko’s ex husband and father of her Son Yoichi who seems to have been possessed by Sadako in some way.
It also starts to veer away dramatically from the source material. This was in part because of Rasen and how unsuccessful that was. Ring 2 has a new story separate from the spawn of Author Suzuki Koji’s original idea. Now characters seem to have developed Psychic powers. Powers that include telepathy, astral projection, some Akira type killing powers and communication with the dead. Yes, our character’s have become almost superhuman in some aspects and their powers are increasing fast over this sequel’s 92 minutes.
I like that the film attempts to keep some continuity of the financial failure sequel Rasen. It seems here too that Mai is on her period in this film too which might excuse her fainting every 5 f’ing seconds.
To avoid further confusion on which sequel is which and what is actually based on the book check out below.
Another thing that ‘Ring 2′ expands on is Sadako’s origins. Clearly Ring and Ring 2 have taken the Supernatural horror path and made her the Daughter of the Sea, we might even say daughter of ‘The Devil’ since the Sea is considered the Underworld in some religions. Sadako is Japan’s answer to Damien.
Sadako’s Uncle informs Mai that Hot Mom Shizuko gave birth to Sadako and then told her Brother that she had given Sadako to the sea, however the next day Shizuko returns with baby Sadako in her arms. This story is recounted in what appears to be a cave of Sai-no-Kawara (Children’s Limbo) at the moment that Mai questions whether Sadako is born from the sea there is a strong wind as if to answer her question.
‘Ring 2′ doesn’t end as dramatically as ‘Ring’, the scarier scenes take place earlier in the film with encounters of Sadako’s Mother Shizuko and a recently deceased (at the hands of Sadako) Schoolgirl Kane providing tense horror moments.
‘Ring 2′ also features dumb males once again in a J-Horror film. I had previously discussed this in my review of ‘Kairo’. Yes, all the men in this movie are complete idiots with 1st Prize going to reporter/cameraman Okazaki who lets a hot girl who is attracted to him die to save his own ass. In the end the girl Kanae returns to haunt him and some people have even suggested that any future sequels might have continued with Kanae as the ghost Villainess.
I watched this version of ‘Ring 2′ on the remastered DVD Tartan Box set released a few years back. The subtitles are good and make the plot far clearer than the original subtitles of the previous Tartan. Strangely though it brings back the Translation of “Frolic in the brine, Goblins be thine” line that was changed in the first film.
Favorite Quote: “That Boy isn’t Yoichi anymore.” - Granpa Asakawa
Sadako 3D June 22, 2012Posted by oldboy in : Cinema, Ring, Asian Cinema, Book to Film, J-Horror , 12 comments
I heart Sadako big time so being me I was very excited to see Sadako 3D. The 3D platform just seems perfectly suited to that famous TV scene at the end of Ring. Unfortunately this part might be the only reason to recommend Sadako 3D. It uses the 3D effect for cheap thrills as things jump out at the screen at you. It’s a film that is made better by 3D, but that doesn’t mean it’s any good.
The story centers around Akane a High School Teacher whose student dies after watching a viral internet video that kills whomever watches it. The only one who has the power to stop this Sadako is Akane whom possesses some kind of psychic powers. Unfortunately Akane is exactly what Sadako is searching for as she tries to return to the living world.
The film no longer bothers with the slow burning psychological horror of it’s predecessors and remakes and goes straight for the “BOO!” type of scares that make you jump but in no way scare you. Any asshole can jump out from behind something and do that to you. This sequel (if I can even call it that) is a cheap ploy to use 3D and it’s pretty obvious that more thought went into the promotion of this film than the making of it.
The film, while a little scary in parts got more laughs than screams, due to the pretty silly plot and idiotic characters. Why are all the police officers in these Ring movies complete idiots?
I went to the Midnight showing of ‘Sadako 3D’ and the atmosphere was electric in anticipation. But scenes in the film that were played for dramatic effect caused the audience to laugh more than anything else. For example when the main character Akane’s screaming causing CGI glass to shatter and fly out of the screen in slow motion. Another was a police officer under the control of Sadako so much so that he grew Sadako like hair down over his face. Which probably got the biggest laugh since the audience didn’t realize the character was actually serious and not joking. Weird. Near the end of the film the main character Akane is suddenly some kind of Kendo expert who runs away from the Sadakos chasing her yet is able to easily take them out in the most ridiculous, laughable manner possible with sticks and poles lying around.
The most memorable aspect of lead Heroin Akane played by Satomi Ishihara is that she looked pretty and I couldn’t stop thinking what nice lips she had. That might show how bad the film was when my main concern was how kissable her lips were anytime she was onscreen. Anyway, what’s the deal with her boyfriend Takanori? Is this the same Takanori from Rasen? (the clone) Why does he live together with Akane as her boyfriend yet they treat each other more as brother and sister. Or either this is a relationship of convenience and they’re both secretly gay. It screams cheap TV drama relationship and the makers of this must think the viewing audience would be too young to understand anything beyond platonic. Yeah, platonic and living together. Give me a break.
Sadako. Why oh why did they have to mess with Sadako so much. We get 3 different versions of Sadako. The Sadako we all know and love that comes out of a screen to kill you. Then we got these weird Sadakos from the Well that look like a cross between Samara at the end of The Ring TwO and the Xenomorph from Alien. These so called Spidakos are nothing but monsters providing some gore and more cheap/hilariously embarrassing thrills. The third type of Sadako is some frickin kid with a bang hair style (the in style obviously…) that attacks with her hair. So Sadako has also become something of a hair type monster in this too. Ghostly hair attacking you was cool 10 years ago ala the Korean Horror ‘The Phone’, today it’s just cliche. Give me something new or stick with what’s already established.
So what the hell is this? Possibly a reboot since no character has any prior knowledge of Sadako and there is no mention of her actions in any of the previous films. The Well is not located in Hakone at a holiday resort Inn but instead at some abandoned building, could be a hospital, or a school but it’s never clear. It is Sadako’s well though because it has a chip missing from it. One of the characters mentions that everything in this world is artificial meaning that it’s very possible we are inside “the Loop Project”, meaning we’re getting pretty deep into the whole Ring mythos here. There is a Ring novel called ‘Loop’ in which it is discovered that the world of Sadako Yamamura, the Ring World, is an artificially created computer program. Think ‘The Matrix’. ‘Sadako 3D’ is based on ‘S’ the most recent Ring Novel by Suzuki Koji which is set in this computer generated Ring world. However, from what I’ve read it doesn’t follow the story of the novel much. So why even mention this is an artificial world? Most cinema goers with knowledge of only the movies will have no idea what the hell that line means and the line is thrown out there twice with no real explanation or follow up making it rather pointless except to remind viewers that it’s not real.
Unfortunately the movie is real though…
It seems the chance to revive this series has been crushed by Sadako 3D. It’s of the quality of a made for TV movie of the week that is embarrassing to watch. It is most likely the final nail in the Well cover for Sads and anything that was once remotely creative and ingenuitive about this franchise is now dead thanks to this film. The future now rests with the American remake sequel ‘The Ring 3D’. Lets hope that fairs better, but with the focus being on the 3D once more I somehow doubt it. Then again nothing, NOT-THING could be worse than what they attempted here.
Favorite Quote: “Everything in this world is artifical.” - some creepy woman
The Ring Virus June 20, 2012Posted by oldboy in : Horror, DVD/Video/T.V., Ring, Asian Cinema, Book to Film, J-Horror , add a comment
A more interesting attempt at a remake of Ring that combines elements of the original Japanese movie and the novel it was based on with some incest thrown in for good measure!
The film starts off “well” with a young girl doing some stretching on her bed. But after she dies in the first 5 minutes the rest of the film gets less interesting (except for the incest thing). The problem is that it’s just without any momentum and starts to drag it’s feet from early on.
I didn’t really feel these characters actually thought they were going to die within seven days. They handle their investigation pretty calmly only smashing a glass vase in a moment of anger. There is little onscreen chemistry. The male character Choi Yeol, based on Ryuji is closer to the novels and is pretty much a prick who sees the whole thing as a game. I felt the character lacked sympathy and didn’t have anything to lose which made him pointless. Closer to the novel is good, but the novel’s character is so much more of a prick that he is an interesting one. This guy in the film is just a jerk asking a woman when was the last time she got laid. Less intelligent and more morbid.
The Sadako character Eun-Suh is a bit of a babe. However it’s not advised to spy on her in the shower because this character is closer to the Novel version of Sadako, the reason being that she is a hermaphrodite, meaning she has male and female genitalia.The beginning of the film alludes to this with the discussion of Zeus cutting people in half making them male and female when they had once been both. Eun-Suh represents perfection as Choi Yeol puts it near the end of the film and this plot point is a crucial key to the origin of the Virus.
The only thing that is unique to this story is the incest where Eun-Suh’s half brother attacks her and throws her down the Well. Unfortunately this new twist isn’t really explored and I question the necessity of making her killer her half brother.
The problem with ‘The Ring Virus’ (링 바이러스) is that it’s not sure what it wants to be, straight out horror or science fiction mystery. By not being one or the other it just gets lost within the story and becomes something routine thanks to the added acting skills of the cast. There’s not much going for it. There’s nothing that stands out and takes a punch at the audience as ‘Ring’ did. There is only replication of the simplest form and done in a less frighting way.
Favorite Quote: “Just as light and darkness existed as one before the big bang, man and woman probably co-existed as one. A perfect combination of strength and beauty. But she was the target of ridicule in her life.” - Choi Yeol
Ring June 15, 2012Posted by oldboy in : DVD/Video/T.V., Ring, Asian Cinema, Book to Film, J-Horror, Best Ever , add a comment
Upon it’s release in Japan in the summer of 1998 ‘Ring’ became an instant success, it was followed by two sequels with alternate stories, a prequel and was remade as ‘The Ring’ in the US and ‘The Ring Virus’ in Korea.
In ‘Ring’ (リング) female reporter Asakawa Reiko discovers that her niece and friends have mysteriously died after watching a video tape they found in a log cabin in Hakone. After setting out to investigate she too becomes caught up in events, becoming cursed herself and with a 7 day deadline she has to resolve it’s mystery in the hope of breaking it.
‘Ring’ takes a familiar curse idea: the chain letter. Unless you send the letter on to other people you’ll have bad luck. The video tape is the ultimate chain letter, killing those that don’t copy and send it on after 7 days. The execution of the curse in the film ‘Ring’ is sheer genius. Using the Television as the device through which those cursed are killed by. Every home has a TV set and usually in more than one room. It’s an inescapable reality and once you’ve watched the film ‘Ring’ yourself you can never look at a TV in the same way again. Surely you won’t turn your back on it at least because in your mind you too wonder if you have been cursed after watching the film. Who didn’t secretly count down the 7 days after watching ‘Ring’ and breath a sigh of relief when they passed them without event? I’ve heard stories of people who placed table cloths over their Television sets after watching the movie so as to protect themselves.
The movie is based on the equally excellent Novel “Ring” by Koji Suzuki. The movie follows the Book’s plot very closely except for the change of the main character Asakawa to a female lead, as is the norm with most J-Horror movies. The overall Tone of the film is changed too. You can still feel a “presence” in the background of both the Movie and Novel however the movie introduces a supernatural aspect to the curse where as the Books take a more scientific/realistic approach grounding the Virus (curse in the movie) to the real world. The supernatural quality works unsurprisingly well for the movie and the imagery dreamt up by it’s Director Hideo Nakata is, as I said above, genius.
When they made Ring they also made at the same time a film called ‘Rasen’ (English title ‘Spiral’), also based on the sequel Novel of the same name. The problem with Rasen is that it loses all the tension, all the psychological horror of it’s predecessor, replaces it with gore and becomes a straight forward mystery from then on. In ‘Rasen’ we are introduced to a new character Mitsuo Ando a former friend of Ryuji Takayama. Upon doing an autopsy of his friend he is brought into the events surrounding the cursed tape, with Ryuji’s ex wife and son missing and later found dead it is up to Ando to discover why they died.
That problem with ‘Rasen’/'Spiral’ seems to be a lack of communication. One director decided to be creative, the other did a more straight forward adaptation of the novel. They decided to go their own ways. The tone and atmosphere of each movie is completely different. ‘Ring’ is Horror, ‘Rasen’ at best a mystery and Horror lite. In ‘Ring’ we have the chain letter curse, in ‘Rasen’ it’s the self replicating Virus. ‘Rasen’ also relies on the gore aspect a little bit too much, for example Ryuji’s autopsy at the beginning which was unnecessarily graphic. ‘Ring’ was all about not showing things and letting the audience use it’s imagination. ‘Rasen’ leaves little to the imagination. It isn’t a bad film. But up against it’s predecessor it’s hopeless, it’s not the sequel people would expect after going into see Ring. In ‘Ring’ Sadako is a queer walking pus eyed monster, in Rasen she’s a sexy, hot, perverted ghost who licks your face. Now I’m not complaining about hot Ghost chicks that lick faces, but sexy ain’t scary. However, credit can be given to the fact that the characterization of Sadako matches the novel more so as that of a seducing temptress. When both films were released in Japanese cinemas Audiences went to see ‘Ring’ but skipped ‘Rasen’ which lead to an alternate sequel ‘Ring 2′ being released a year later, the movie would tie in closer with the first film.
The first time I watched ‘Ring’ was on UK channel Film Four in 2001. The most recent viewing of the film was on the Tartan DVD box set which has updated the subtitles. While it’s a nice transfer and all the subtitles are a bit too perfect a translation and leave a lot of the “flavour” of the original out. Take this line for example
“Frolic in brine, goblins be thine.”
Which is now
“If you keep doing SHOUMON, BOUKON will come.”
What the Fudge?! How could they mess that up. They screwed a great line.
Ring is what started the J-Horror wave, it changed the Horror film industry and introduced a new element into it that remains until this day. It’s why I see the film as being so significant. It also scared the hell out of me like no other film did and planted Sadako in my mind forever leaving me psychologically scarred. Yay!
Favorite Quote: “This kind of thing… it doesn’t start by one person telling a story. It’s more like everyone’s fear just takes on a life of its own.” - Ryuji Takayama
Thirst February 10, 2012Posted by oldboy in : Uncategorized, DVD/Video/T.V., Asian Cinema , add a comment
‘Thirst’ directed by ‘Oldboy’ Chan Wook-Park is in my opinion a film Noir Vampire Story.
Right off the bat what I like about the story is that it tries to set it in a realistic world where Hominis Nocturna is born out of a Vaccine for EV. What’s also the real crunch of the story is that the first Vampire is a Priest. Park Chan Wook cleverly puts the birth of the Vampire from a literal stand point since Vampires themselves were born out of Christianity’s fear of the supernatural and it was God and the symbolic power of the cross that kept Vampires at bay. It’s ironic then that a man who spent his life in the service of a God and doing good should become the devil incarnate with a thirst for blood and more.
Some people have compared this to the original version of ‘Let the Right One in’. A bit unfair as the stories are quite different. On the Vampire level I like ‘Thirst’ more just for the audacity of making the first Vampire a Priest. I find that concept far more intriguing with room to explore in finer detail. Symbolism aside it deals with inner conflict and the eventual downward uncontrollable spiral of life brought on by temptation of the body and blood. The film takes a turn in plot from a Vampire movie into an affair, with the femme fatale desiring to off her husband and become a Vampire herself. This is when the Film Noir aspect kicks in and the Vampire plot takes a back seat.
It’s not the definitive Vampire Movie. I don’t know if there has been something really definitive yet. But as for the Vampire image, I find Christopher Lee to be the iconic image of Dracula and Vampire in the Hammer Horror series. It’s the visual I grew up with and I’m glad I grew up with that as my Vampire image than say Pale Teenage boys in ‘Twilight’. It’s not very dressy for Halloween.
Unmade: King Kong vs. Frankenstein January 23, 2012Posted by oldboy in : Unproduced Scripts, Asian Cinema , 2 comments
Conceived originally as a sequel to the 1933 film ‘King Kong’, ‘King Kong Vs. Frankenstein’ was the invention of Willis O’Brien, stop motion animator on the original film who came up with the idea to get his career back on his feet much like Carl Denham, by bringing back the Mighty Kong to the big screen. The plot roughly went like this…
The Monster of Frankenstein is created somewhere in South Africa by Frankenstein’s Grandson. His body is made from parts of animals, his skin that of an elephant etc. Two groups of explorers set out in a race to bring back the world’s greatest monsters. One group heads to South Africa to Hunt down Frankenstein’s Monster. The other group sets out to get King Kong (although I don’t know which King Kong they refer to, the original and his son were both killed. Perhaps grandson?). Both Monsters are brought back t San Francisco, they escape and have an epic battle destroying much of the city before both been destroyed.
O’Brien brought the idea to Producer John Beck who quietly stole it and sold it Toho Studios under the title ‘King Kong Vs. Prometheus’. Toho studios had been interested in making a Frankenstein movie for a few years and would eventually do so in future in ‘Frankenstein Conquers the World’.
Toho eventually dropped Frankenstein from the plot and replaced him with Godzilla and thus ‘King Kong Vs. Godzilla’ was born. A film which would see a very shabby looking King Kong taking on Godzilla who would have to use all his tactics to defeat King King. These tactics included Karate Kicks…. Kong’s downfall would be his messy hair that Godzilla sets on Fire with his atomic breath.
My idea has always been that Godzilla represents the Atomic bomb. He is born from atomic testing, he has atomic breath and he brings terrible devastation to Japan. I have said in my previous reviews including Space Battleship Yamato that Japan is one of those countries that takes a terrible event and turns into into something powerful and positive. Godzilla eventually becomes a Hero rather than staying a Villain in Japan. In the Book ‘Monsters in the Movies’ by John Landis he theorizes that Godzilla represents Japan’s relations with the United States and the growing warmer relations between the two is represented through Godzilla who starts out as a terrible monster destroying cities to becoming Japan’s protector. His face even changes to take on more human tendencies and cartoony eyes almost like that of Micky mouse. I like Landis’s examination of the character and he might be right. At the time ‘King Kong Vs. Godzilla’ was made a security treaty had been signed between Japan and the U.S.
‘Frankenstein Vs. Godzilla’ was intended to be a sequel to this movie but the idea was eventually dropped. There was also once an idea for ‘Batman Vs. Godzilla’. Lets not go there…
Interestingly enough King Kong had appeared in Japanese cinemas before 1962. ‘Wasei Kingu Kongu’ a 1933 silent film which is unfortunately lost along with about 90% of Japanese silent cinema. There was also ‘King Kong appears in Edo’ 1938 which has also been lost. It is unfortunate as these films predate the Godzilla movies and show Japan’s earliest foray into the Monster movie franchise. Fuminori Ohashi who created the monster suit for the Japanese King Kong in 1938 would later go on to create the very first Godzilla monster suit.
As much fun as ‘King Kong Vs. Godzilla’ is (or isn’t depending on how you view it) I would have really liked to have seen a stop motion Kong go at it with Frankenstein. That would have been a classic film. Sometimes putting guys in suits just seems a bit easy. Not that there isn’t an art to that way of making monster movies. Probably the majority of the world would prefer a King Kong Vs. Godzilla movie over a Vs. Frankenstein movie. I remember getting King Kong and Godzilla toys in my Christmas stocking on separate years and having them stand on my shelf locked in battle. Maybe these ideas will come to fruition in future.
Flying Swords of Dragon Gate 3D January 4, 2012Posted by oldboy in : Cinema, Asian Cinema , add a comment
Flying Swords of Dragon Gate is the best looking 3D movie I have ever seen and while I don’t like 3D and think it’s a gimmick the Director Tsui Hark makes good use of the effect. With that said I still think that it has no impact on the overall enjoyment of the film nor does it change my feelings about the story. But on a purely 3D level it is a step above the rest. It’s better than ‘Avatar’. The only other 3D movie that moderately impressed me was ‘Tron Legacy’. The worst 3D movie I have ever seen was ‘Battle Royale 3D’ with cgi bullets and blood spatters. Awful. The post conversion 3D of Harry Potter and any other number of movies is frankly dull and adds nothing to the movie except to make it look darker and after a while I found my eyes adjusted to the use of 3D anyway. I got more annoyed by having to wear the 3D glasses through the entire movie. Now we have ‘Star Wars The Phantom Menace’ coming out in 3D this year (what genius..) and JJ Abrams has announced that the next Star Trek movie will be filmed in 2D and converted to 3D, which sucks, but I imagine that there might have been studio pressure to do that. I am both equally dismayed and attracted by the idea of seeing Space ships fly out of the movie screen but I doubt it will be as good as I could imagine.
Tsui Hark makes clever use of 3D by not making everything 3D just because it’s close to the screen but when we get a beautiful shot or big action scenes the 3D comes into effect making it very noticeable to the viewer. He doesn’t rely on the cheap tricks of having swords come out of the screen at the audience ala ‘Pirates of the Caribbean 4′ (you suck). He seems to use a deep focus shot in 3D. Rather than having objects come out of the screen he has the foreground of the image layered thus making anything coming from the background of the image to the front have a lot more depth to it. If that makes no sense then let me just say “it’s different”.
I’m kinda excited that the 3D worked for once to impress me and I’m excited that it happened here in Hong Kong. It’s perfect for a movie like this that has WuXia action. Tsui Hark had ‘Avatar’s visual-effects supervisor, Chuck Comisky come onboard to work on this movie so no expense was spared here and it might hint at how good the 3D will get for the proposed ‘Avatar’ sequel.
Unfortunately Cinema goers in Hong Kong don’t have the choice of watching a 3D film in 2D. Everything that is filmed or converted to 3D is released in 3D only. The audience has no choice but to pay more to watch a film with this effect. The last 3D movie I watched before this was TinTin and I thought the 3D of that movie was really pointless to the point I didn’t even realize I was watching 3D anymore. A customer should only pay for what they want. They don’t have a choice as to how good or bad the movie will be but they should at least be able to choose how they see it. With 3D we are getting a weird perspective sometimes with the front of objects looking out of proportion and bigger than the rest of it. Hollywood calls 3D as “Cardboarding”and until it goes beyond that and until we don’t need to wear glasses to see it I’d rather not watch everything in 3D.
So the film itself? It’s good. Tsui Hark said it’s not a remake but more of a reimagining of the 92 version but there are some elements that seem to make this a sequel. There is little chemistry between the cast but the acting is impressive. Taiwanese actress Gwai Lun Mei has a stand out performance and is utterly seductive onscreen.
Favorite Quote: “Better to live in the Jianghu World than the real world”. - Chow Wai On
White Vengeance December 21, 2011Posted by oldboy in : Cinema, Asian Cinema , add a comment
Written and Directed by Daniel Lee starring Leon Lai and Anthony Wong. ‘White Vengeance’ is based on the Historical events ‘The Feast at Hong Gate’ and ‘The Chu-Han Contention’ that took place between 206-202 BC.But not knowing the Historical events won’t spoil it. Perhaps it might be more disappointing for those that do know the history of it since the story isn’t an accurate depiction but not many movies are and with characters displaying unrealistic martial arts action it’s best to just enjoy the movie’s story instead.
The story depicts the Power struggle between two warring states, Western Chu and Han and of their military strategists whom advise the two main characters, Liu Bang (Leon Lai) and Zhang Liang (Hanyu Zhang). Their conflict is further deepened by their shared affections for Yu Ji (Yifei Liu).Yuji is a character I don’t really care for and seems to be thrown in there to get women into the cinema to see this movie. It’s very much a man’s film and the love triangle doesn’t really go anywhere. It’s never developed it’s just slapped on for the ‘pretty’ factor. If the character is going to be so under developed what is the point.
The opening of the film is a bit confusing having flashbacks within flashbacks and it doesn’t seem to flash forward again after the second flash back or either it’s poor editing not to show that transition more clearly. Between all the machinations and plot twists instigated by each character you’ll need to keep attention till the very end. The action is mildly entertaining with fast paced fights and battles scenes. Some of the large scale army battles feature shaky cam movements making it hard to focus on the action properly. Probably making up for the budget. There is an overuse of the lens flare effect which has become the “in thing” with movies these days. This is even more distracting when it’s poorly used as an effect when a fake lens flare is placed into the middle of the screen in front of the characters face, I wondered “is this Dragon Ball with chi coming out of the guys face? or is is supposed to be a lens flare, in the middle of a guys face. The overly artistic filming style can be a bit off putting at times especially if it’s not in keeping with the style of the rest of the movie. The final scene of the movie is laughable showing two of the main characters meeting again in an overly romantic tone complete with falling cherry blossoms (wow how original!!!) which is overly sentimental and adds nothing to the films story except to make it again look pretty. Why would I even care if it’s not central to the story or characters relationships. The most thrilling scenes in the film for me were not the large set action pieces but the game of Go which ramps up the tension and characterization and resonates as a symbolic theme of the movie until the very end. I’m sure there is deeper meaning to that overall game and I was missing something in cultural context and also due to translation of the movie with English subs.
While this movie isn’t as memorable as other big budget historical films it certainly is entertaining and worth watching, in no small part thanks to the acting of Leon Lai and Anthony (Awesome) Wong who give very touching performances that elevate this movie beyond the sub standard typical historical flick.
The Killer December 9, 2011Posted by oldboy in : DVD/Video/T.V., Asian Cinema , add a comment
The Killer is one of those landmark movies in Hong Kong cinema and especially important for introducing John Woo and Chow Yun Fat to international audiences. It cemented the theme of Heroic Bloodshed and gave rise to a whole slew of action movies in the same vein. The influences are far reaching to hundreds of Movies from “The Matrix” to Robert Rodriguez’s “Desperado”. Even today there are action movies been released that still pay homage to Woo’s vision of what action should be. John Woo made gun violence beautiful.
While “The Killer” isn’t my favorite John Woo movie (my favorite been “Bullet in the Head“) it is an important movie by the Director and highly enjoyable.
In Hong Kong Cinema in the late 70s to early 80s Chivalry swordplay movies were highly popular, even Woo had made the sword play movie “Last Hurrah for Chivalry” in 1979. The role of the highly romanticized hero who sacrifices himself is deeply routed in Chinese literature. John woo modernized the Chiverlous hero in his gun toting action films by replacing the hero’s swords with guns. But the influences for this film and Woo’s character’s go deeper than that. In fact I think this might be Woo’s personal magnum opus.
The biggest influences on this film come from two movies that are favorites of John Woo. They are “Le Samourai” and “Narazumono” (An Outlaw). I can’t review “The Killer” without mentioning these movies such is there influence on the Director and his work. “Le Samourai” is a film by Woo’s Hero, Jean Pierre Melville and stars Alain Delon as a Hitman who adheres to the code of The Bushido. You’ll also find that this film inspired Jim Jarmusch’s “Ghost Dog: The Way of the Samurai”. In “Le Samurai” the hitman develops a relationship with a piano player of a club he has made a hit in. The player can identify him for the killing but chooses not to. Already we can see the influence on The Killer with the story set up taking place in a Music club except in “The Killer” Chow Yun Fat’s character accidentally blinds the singer in a shootout and overcome with guilt tries to take care of her and get enough money together to send her to Taiwan for an operation that would restore her eyesight. Some people people have criticized this plot point, that a hitman who blows away villainous criminals and innocent bystanders could care for this girl he blinded, but I think it’s missing the point to say that. The character has injured a woman and in the process of a hit, he has caused her to suffer each day because of his direct actions. Sure, he may be cold hearted to other innocent victims in shootouts but he hasn’t developed any emotional/romantic connection with them and it’s the incident with the singer that is the turning point for this character. The singer is seen as a symbolic get out card to save his soul. If he saves her sight maybe he could cleanse his own life by this good deed. To give Chow the vibe of Alain Delon Woo decided to have Chow dress in more period clothing. This angel white suit would make a later appearance with a similar romanticized Hitman in “Bullet in the Head“.
The other influence comes from the excellent Narazumono starring Takakura Ken. John Woo has been quoted in interviews as loving this movie and that it gave him the spirit to make “The Killer”. In it Takakura Ken is a Hitman in Hong Kong who is tricked into killing an innocent man and at the same time becomes accidentally involved in a drug switch. Using that as leverage for information he decides to take revenge by tracking down the man who has deceived him and travels to Macau where he encounters a prostitute suffering from Consumption (Tuberculous). He offers to take her away from this life.
Again, as with The Killer the main character uses the fallen woman as a way of redeeming his own mistakes in life. This redmeption the main character seeks is found throughout the movie from the beginning as we find him in Church. Again the religious symbolism in Woo’s action is very blunt. A statue of the Mama Mary blowing up is seeming to represent the destruction of goodness and truth. The shootout in the church represents the final ending for these characters, the gateway between life and death and for their crimes they are all ultimately punished in the eyes of God and tricked by fate in the final scenes outside the church.
Favorite Quote: “The world has changed. Honor is now a dirty word.” - Joe