Colin’s Film Journal

The Star Trek reboot is here and JJ Abrams has done for Trek what Chris Nolan did for the Batman franchise. There’s no doubt that this is a great film - fun, inviting, exciting and downright cool. It has taken Trek from the increasingly complicated beast that it had become, and gone back to basics. Owing more to the original Sixties Trek than later incarnations, the film truly is a reboot whilst retaining much of the canon that came before.

Set well before the original series, the film gives a new and alternative account as to how Kirk became Captain of the USS Enterprise. From the opening few minutes, everything you see here is new and fresh but yet reassuringly familiar. With a whole new cast (save Mr Nimoy in an extended cameo as a much older Spock), the film had the difficult task of retaining the charm of the original whilst appealing to both old and new fans and the result is one of the best films the franchise has seen so far. Great performances and wonderful effects alongside a brisk, no-fluff story give the film plenty of appeal to those with short attention spans and Abrams along with Robery Orci and Alex Kurtzman inject a huge amount of humour that gently pokes fun at the characters and ideas of ‘TOS’ whilst retaining a huge amount of respect.

The Good

Chris Pine and Zachary Quinto are great in the roles of Kirk and Spock

The new Enterprise design retains much of the original’s charm whilst adding huge amounts of detail and realism

The story is great swashbuckling Trek of the old-school type. Kirk gets into fights, romps with aliens and saves the Earth

The film isn’t afraid to changed established history in the biggest of ways - who would have thought that they’d be brave enough to destroy Vulcan and leave it that way with no reset?

It’s funny - laugh out loud funny, but it’s also edge of your seat stuff

The effects are stunning - the best science fiction CGI so far - beautiful (if a little lense flair heavy!)

The OK

Whilst it isn’t rushed, one key piece of the story ended up on the cutting room floor - the Klingon capture of Nero and his subsequent imprisonment on Rura Penthe

There are some minor plot holes - but this would only get the nerds up in arms. The rest of us can overlook them.

The Bad

Not much at all - I liked the entire cast, the story, the acting, the direction and the SFX - is there anything not to like?

The Blu-ray

Gorgeous - colourful, sharp, no digital artefacts. The soundtrack is exhilerating too - active, basy and very very clear. The extras are worthy with loads of deleted scenes filling in some of the narrative gaps. The story was there, but pacing reasons meant that some key narrative was lost and now we can see it all.It’s a great overall package and well worth buying, even for non-fans.

I’m resurrecting this blog with a view to using it to post movie news scoops and rumours. To kick off, the film might not have a name yet, but the first image of the Aussie as Sherwood’s mythical criminal shows that he certainly looks the part.

Ridley Scott’s take on the Robin Hood legend is due to hit the cinemas on 14th May 2010 and also stars Cate Blanchett and William Hurt.

I’m starting a new project for DVDTimes - I am going to build ‘The Ultimate Home Cinema PC’ using top of the range components and will take you through all of the steps needed to build a system capable of running anything you wish to throw at it. There will be no limitations on format - DVD, Blu-ray and HD DVD will all be compatible and regions won’t be a restriction.

I’ll cover the hardware, software and configuration of the system and to top it all, the finished PC will be given away in a competition on DVD Times. The total retail cost is expected to be nearly £1,000.

In the run up to the article I will also update my

FilmJournal with my progress. This is an exciting project, both in terms of scope and the ability to play all formats and I hope you all find it useful.

The First Component

The first component is here - the stunning Shuttle SG33G5M. This gorgeous piece of hardware specifically designed for media centre use - it comes with every connection you need, supports all of the hardware and software we will be using and even ships with a remote control.

Now that I have fully adopted Blu-Ray (albeit via my US PS3), I’ve been looking ahead to some of the titles coming this year. For Blu-Ray to succeed it has to impress the masses over the next 12 months - this timescale will be enough to tell us whether the format is going to have any sort of longevity. We’re not going to see many big hitters this year, the Star Wars films, Indiana Jones and other classic blockbusters will be held back until Blu-Ray is more established. Thankfully that doesn’t mean we’re starved of quality as long as we know where to look.

Over the coming days I’ll be posting the titles I’m most looking forward to over the next year…

Today, my pick is currently only a rumour, but it’s a tantalising one! Alex Proyas’ mind-warping, little seen classic, Dark City. This film was drowned out on release by the hype that accompanied The Matrix, but it is by far the more rounded experience of the two. It requires constant attention - miss a couple of minutes and you may as well stop watching, but if you’re commited Dark City is totally rewarding.

The latest news is that writer, David Goyer, has said that we can expect new extended cut with new effects. The extended length means the film is being rescored and even more exciting is the prospect of a limited theatrical release; I can only hope that this theatrical outing makes it to the UK as Dark City should really be experienced on as big a screen as possible. The word is that a DVD and Blu-Ray release of this new cut will follow shortly after.

OK, so it’s not strictly film related, but it comes on a Blu-Ray for the PS3 so there is a tenuous connection…

I wasn’t holding out much hope for the Lost videogame - with such a rich ‘world’ to draw on, it seemed certain that the developers wouldn’t bother so I wasn’t that disappointed that they didn’t. With a handful of locations from the TV series (the beach, part of the jungle, the hatch, the Black Rock and a few of the Dharma stations), a few of the characters (mostly not even voiced by the real actors, and even when they are they sound nothing like their TV counterparts) and a plot that only grazes on that of the TV show, Lost: Via Domus is a disappointment from start to end (and the time between the two points is literally only a few hours of gameplay).

The graphics vary from outstanding (some of the cutscenes) to laughable - they’re glitchy and the collision detection is so over the top that you can find yourself stuck to the leaf of a plant. The areas that are in the game look nice, but they’re small and restrictive and the character animation and design is variable.

I played through hoping that the game might add some richness to the Lost universe - I wasn’t expecting answers, but I would have liked something to expand on the experience. However, the game isn’t really canon and therefore it could really have been set anywhere. You play the part of a Oceanic 815 survivor who has amnesia - the game uses the familiar flashbacks to fill in the gaps as the game progresses, oddly via you taking pictures with your camera to jog your memory. The storyline occasionally hints to the events of the show and gives a good idea of pacing and the rough timing of the games events, for outsiders however the cutscenes that carry these hints would be meaningless.

The sound design is good and full use is made of the surround effects when you are being stalked by the smoke monster - the game does excel here, but the effects themselves are lifted wholesale from the series so it would have been hard to go wrong.

The majority of the playing time is made up of frustrating segments where you have to repeat the same bit over and over again due to the unforgiving nature of the game. In pitch black caves with only a torch you must navigate nearly invisble potholes. You must hide from the black smoke frequently as there is no other defense and while it’s possible to kill any opponents you spot (two or three at the most) you can complete the game without doing so. Even the flashback scenes are mostly trial and error - and can become infuriating, not due to any skill being needed, but to the whole concept of spotting the exact second you need to take a photo.

The ending of the game is as disappointing, frustrating and confusing as the rest of the experience - without spoiling things, we don’t learn anything and the last second is a pure ‘Lost’ WTF moment - only this time we’ll never get any explanation.

In an age where free-roaming games feature huge cities and massive amounts of detail, a linear game that is both as frustrating and unrewarding as Lost: Via Domus should never have made it past the planning stage. With no real quality control and the perfect example of abuse of a licence, there is little to recommend this game to even the most die-hard of fans. At a budget price it would be too expensive, however at full price it’s plain daylight robbery. Avoid.

2/10 (only because of the sound design)

No surprises here!

To top it all, Universal have dropped all of their prices too so the end of HD DVD is really only months away now…

Toshiba have now confirmed they are ceasing all HD DVD production.

Reports are starting to come in that Toshiba have announced they are suspending all HD DVD hardware production. Japanese news channel NHK have run the story today that Toshiba will cease hardware production, but are going to continue selling remaining stocks and supporting the players that are already on the market.

If these rumours prove to be true (and it is looking likely), this will be the end of HD DVD. Toshiba account for almost all HD DVD hardware sales and other than the X-Box 360 HD DVD drive, they are the main hardware driving force in the market. With no new hardware in production, it can only be a matter of days or weeks before we see Universal and Paramount making similar announcements.

Matthew Vaughn’s adaptation of Neil Gaiman’s Stardust is a joy to behold. One of the best films of 2007, it was practically ignored on its theatrical release - but the reasons why are hard to grasp. It has a very strong cast - DeNiro, Pfieffer, Danes and a plethora of well known UK comic actors, it is a fantastic feel good fantasy and feels like a modern ‘Princess Bride’. It’s well directed, well acted and very funny, but on both it’s UK and US releases it sunk without a trace… It does seem that a modern fantasy that’s not filmed in New Zealand is doomed to fail from the start. A real shame.

Tristan (Charlie Cox) is so determined to take Victoria’s (Sienna Miller) hand in marriage that when they see a falling star he promises her that he will find it and bring it to her within a week. However, the fallen star turns out to be a beautiful woman named Yvaite (Claire Danes) and during their journey back to the village of Wall, Tristan finds himself falling in love with her. Unfortunately, Tristan isn’t the only person seeking Yvaite; the heart of a fallen star can give the person who takes it eternal life and three witch sisters led by Lamia (Michelle Pfieffer) are determined to do whatever it takes to capture and kill her; she also also hunted by some princes who must retrieve the ruby Yvaite holds to determine which of them will become king…

With perfect casting, a touching screenplay, sypathetic direction and a wonderful story, Stardust certainly ticks all of the boxes. Shot mostly in the UK and Iceland, it makes use of the best that these countries can offer with some truly stunning scenery that offers just as much as any New Zealand backdrop. The biggest surprise is just how adept the director, Matthew Vaughn, is with the fantasy genre - it is a far cry from his usual work, but he seems to be able to hold his own.

The US HD DVD is a nice all-round package with excellent picture and sound quality, backed up by a decent making-of, outtakes, deleted scenes and theatrical trailer. It’s not a package that will set the world alight, but offers enough to justify a purchase.

Stardust HD DVD is available on Amazon.com for $19.99 at the time of writing, that’s around £10 at current exchange rates. The standard definition DVD is available for $17.99.

Film: 9/10, HD DVD: 7/10

Sandra Bullock and Jullian McMahon star in this confusing, plodding, supernatural thriller from director, Mennan Yapo.

Housewife Linda Hanson (Bullock) learns of the death of her husband, Jim (McMahon), in a nasty car accident on the previous day; only to wake to discover he is still alive. The film then jumps forwards and backwards to events before and after the so-called accident as Linda has premonitions of what is to come. Premonition is a difficult film to judge - the performances are all there, and it’s not your usual ‘everything ends well’ piece of cinema. In fact it is a very downbeat film that closely mirrors Linda’s on-screen depression. Unfortunately this makes it a chore to watch and the eventual twist is one that is expected and doesn’t do anything to lighten the tone.

However, this downbeat feel isn’t the film’s biggest mistake - the real problem is that we really don’t care about the characters. There is no attempt to make Linda a likeable person - she is depressed from the start and we don’t get to know her or her husband in any way before we learn of his death. While this could be forgiveable if the subsequent scenes build on their relationship, they don’t - all we learn is that their marriage is in trouble and he’s thinking of having an affair (although bizarrely, all seems forgiven when he changes his mind about shagging his boss in a hotel). Coupled with some glaring continuity issues, which in all honesty should really be ironed out in a film that is inherently going to be a disjointed experience, there isn’t really a lot to like here.

Yes, it tries to be a bit different and there isn’t any kind of ‘reset button’ ending, but that isn’t enough to make me want to recommend this film…

The Blu-Ray release is good with a decent picture and sound quality. I did notice some flickering in the backgrounds that at times was a little irritating to my eyes, but other than that it was still an obvious step up from SD.

There are plenty of special features, but in all honesty after sitting down to watch the film I was in no mood to go through them all afterwards. Maybe I’ll revisit them in the coming days, but I somehow doubt it! As such, the rating below currenly only takes into account the picture and sound quality…

Film: 3/10, Blu-Ray: 6/10

Toshiba UK are refusing to comment on rumours that their support of HD DVD is coming to an end. Recent industry reports and speculation, and rumours that Toshiba are developing a Blu-Ray player have cast significant doubt on the future of HD DVD, and Toshiba’s reluctance to make any statement to refute these rumours is damning. I predict that the coming days and weeks will see some significant changes to the HD playing field - this is happening far more quickly than anyone (including myself) had predicted.

Jodi Sally, vice president of marketing for Toshiba America Consumer Products says, “Based on its technological advancements, we continue to believe HD DVD is the best format for consumers, given the value and consistent quality inherent in our player offerings”. This is as non-commital as we’ve come to expect from the company and does nothing to quell rumours and continues a trend of an obvious lack of confidence and support that has plagued the format since its inception. This is most obvious from the total lack of good marketing allowing Blu-Ray to surge into the lead despite the advantages HD DVD had to offer the consumer.

I would no longer be surprised if Toshiba, Universal and Paramount all throw their weight behind the dominant format within the next few months…